The Organ At European Courts

Cera, Francesco - Gentil Donna
Cera, Francesco - Gagliarda Comadrina (1551)
Cera, Francesco - Gagliarda Lodesana (16. Jhdt.)
Cera, Francesco - Gagliarda Chataccio (16. Jhdt.)
Cera, Francesco - Canzon Francese Detta Je N'en Di
Cera, Francesco - Canzon Francese Deta Qui La Dira
Cera, Francesco - Canzon Nr. 8 Detta La Vincenti
Cera, Francesco - Ricercare Quatro Sopra Mi Re Fa
Cera, Francesco - Partite Di Bergamasca
Cera, Francesco - Diferencias Sobre El Canto Llano
Cera, Francesco - Diferencias Sobre La Gallarda Mi
Cera, Francesco - Diferenicas Sobre Las Vaca
Cera, Francesco - Tandernack
Cera, Francesco - Galliarda
Cera, Francesco - Allemanda (10 Variationen)
Cera, Francesco - Uppon La Mi Re (16 Jhdt.)
Cera, Francesco - My Lady Careys Dompe (16. Jhdt.)
Cera, Francesco - A Hornpype
Cera, Francesco - Pavenne
Cera, Francesco - Gaillarde
Cera, Francesco - Branle
Cera, Francesco - Allemande Grave

? The organ is usually associated with the church and sacred music.
However, in Renaissance and early baroque small organs were often used
in noble mansions and courts for performance of secular music.
Collections of instruments held by courts in England and Italy include a
considerable number of small organs, often richly decorated and inlayed
with ivory and turtle-shell.
? This anthology offers a fascinating view on the secular repertoire that
organists from 5 countries were performing on organs at royal courts.
? Renowed Italian organist Francesco Cera plays a beautiful “Organo
ottavino” from 1772 of Neapolitan build. He plays works by Antico,
Frescobaldi, Gabrieli, Pasquini, de Cabezon, Scheidemann, Scheidt,
Attaingnant and Du Mont.
? The booklet contains liner notes and all information and photo of the
organ.